It’s Spring Fever – Fresh Albums!

It’s that time of year again, springing forth into the biosphere are albums from some extraordinarily talented people who are associated in one way or another with the Long Island City music scene. I’m talking about Niall Connolly, Shelly Bhushan, Natalie Mishell and Anthony Mulcahy. Well that’s just some of the albums that are in the can, wrapped and ready to go, then there is music in the pipeline from Casey BlackMatt Sucich (already available), Little Embers and Jeneen Terrana.

But first my hearty congratulations to Gus Rodriguez and Anthony Rizzo for writing and performing the music for a new TV series, “Maron” featuring comedian Marc Maron.

Gus Rodriguez

Gus Rodriguez

Anthony Rizzo

Anthony Rizzo

Check out the title song here::
https://soundcloud.com/search?q=White%20Iris%20Records%2C%20Four%20on%20the%20Floor%20-%20Poisoned%20Well

And the trailer for the  IFC show:

http://www.ifc.com/maron/videos/maron-trailer

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Niall Connolly with Dennis Cronin and Brandon Wilde at Rockwood

Niall Connolly with Dennis Cronin and Brandon Wilde at Rockwood

Cork man, Big City Folk convenor and LIC Bar regular Niall Connolly has just returned from a European tour, playing music from his new album Sound. Check out his video for the single from the album, “Samurai”:

“Sound”  is Niall’s best album to date, it is  blessed with superb musical colaborators: Brandon Wilde (bass, piano, guitars and handclaps), Warren Malone (guitar and vocals), Dennis Cronin (trumpet, piano and Vibraphonette) and Len Montachello (drums)  plus guests Chris Foley, EW Harris and Christy McNamara, and great production from Brandon Wilde.

“Sound” shows off Niall Connolly’s wit, political acumen, romance and humanity in a selection of memorable songs that make you think, sing along and sometimes to simply shout out from the rooftops. Niall is clearly a popular man around town; the audience at his shows know his songs and sing along to such favorites as “Skin and Bones” (from the album “Brother the fight is Fixed”) and the newer anthems like (on this album) “Lily of the Mohawks” which moves along like a flaming house on a backyard trailer. “Come back to the table” is aimed at those who are with us , but not with us, as they message on their  devices instead of being present, a song that is brilliantly followed (on the physical album only, not the download) by a surprise track.

I’ve listened to this album many times now and it nevers tires on me; in fact it grows and grows and still sends shivers down my spine. The songs are so good.

Sound is an album that rocks in the ways that Dylan and Lennon rock, with biting rhythms and sharply articulated lyrics. It is pop of the best kind – organic and grown-from-the-roots, not plastic genetically modified pop. Niall Connolly clearly cares about people and the country that he now calls home.

Niall Connolly at the launch of "Sound" at Rockwood Music Hall, New York

Niall Connolly at the launch of “Sound” at Rockwood Music Hall, New York

You can buy “Sound” here:

http://www.cdbaby.com/Artist/NiallConnolly

https://itunes.apple.com/us/album/sound/id633535655

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Shelly Bhushan‘s new album “Something out of Nothing” is the fruit of much serious songwriting and performance. Her collaboration with bass player Harry Cordew, Ben Hoffstein on keyboard  and husband John Celantano on drums is well known around New York and Long Island City. They are a well rehearsed band who know each other well enough to produce tight performances that support but don’t dominate Shelly’s strong soulful voice.

Shelly Bhushan launches "Something out of Nothing"

Shelly Bhushan launches “Something out of Nothing”at Rockwood Music Hall

“Something out of Nothing” contains some songs that are new and others that have been sharpened in performance over the past few years and which are now recorded for the first time. At her album launch at Rockwood Music Hall (probably the best listening venue in New York) Shelly almost apologized for the number of ballads on the album. She has no need to apologize. Although well known for her powerful soulful voice (that can really rock) the slower songs offer variation and give her the chance to show herself as a sensitive singer who can pour a different kind of soul into her work. I especially like “Intoxication”, a moody track that uses a simple guitar, bass and drum backing to support Shelly’s smokier vocal style. The same goes for “Moon”, the simple piano accompaniment giving a sense that Shelly is performing just for you in a small club, or even your living room. In songs like this Shelly reminds me of India Arie; but she is no imitator and has a distinct style of her own that shines in recording and performance. “Digging in deep” is a bluesy song that resonates with Shelly’s earliest work as a singer with a swing band, drawing from a considerable pedigree of performance across many styles.

In a shift of genre Shelly shows her country music side with “Blinded”, a memorable song that, in its simplicity, makes its points directly and without fuss. In general this sums up my feel for this album. Although it has some sophsticated production elements (sound effects) the overall impression is of an honest album that shows off performance and talent rather than complex production. Shelly’s songs are strong and stand to be simply sung with guitar, piano or band, yet I can see that they also have potential in more elaborate arrangements, with perhaps strings and horns. In that way I believe that this album will help Shelly’s progress as a musician – singer AND songwriter. It’s good to have this new album on the shelves, joining her three other solo albums: Picking Daisies, The Shelly Show  and Beautiful Me as examples of her work as a singer of great talent and musical personality.You can buy all her albums, including “Something out of Nothing” here:

http://www.cdbaby.com/artist/ShellyBhushan

https://itunes.apple.com/us/album/something-out-of-nothing/id646625866

SB_ALBUM_ART_10

Check out also my biographical “Artist Portrait” interview with Shelly on itunes:

https://itunes.apple.com/us/podcast/artist-portrait-shelly-bhushan/id523786622?i=118277415&mt=2

or:
Listen to this episode

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Anthony Mulcahy at the Big City Folk Festival at LIC Bar in July 2012

Anthony Mulcahy at the Big City Folk Festival at LIC Bar in July 2012

Another member of the Big City Folk Collective is Anthony Mulcahy. Originally from the small seaside village of Bonmahon in County Waterford, Ireland, he has the launch for his 2nd CD  coming up at Rockwood Music Hall on Saturday May 18th. “For My Sins” follows the successul “Lazy Days” album with the launch show this week featuring  his regular band of Jenny Dunne – Vocals, Taryn Lounsbury – Violin and Vocals and Barry Kornhauser – Cello; with the addition of the ubiquitous Brandon Wilde – Bass and Vocals, and Shawn Crowder – Drums.

Anthony is another regular performer at LIC bar, in the winter Sunday shows organized by Niall Connolly. Although quite the joker he is very serious about his music, with high standards in performance, writing and recording. He’s also a very generous man, recently raising funds for the Bonmahon lifeboat station, from which the lifeboat foundered in January 2012, with the loss of two crew and three seamen.

http://anthonymulcahy.bandcamp.com/track/tit-bonhomme-lifeboat-fundraiser

From what I have heard so far “For My Sins”  is a an album of melody and melancholy. Check out the track “Carry On”, featuring Niall Connolly.

Talking about the album Anthony says:

The ideas for the songs is kind of split in two: on the one hand I hear my New York friends telling me stories of crazy stuff that has happened in their lives and I built ideas from that, on the other hand as a way to deal with my never ending homesickness. I try to remember certain things from my childhood or from a night out during the hey day and try to bring those memories back to life.
I’m very pleased with how it turned out and I feel the same way about it as I did with my first record “Lazy Days”. It’s more to do with the personal achievement for me really, rather than looking for popular success.

I penned 9 of the 10 tracks. The only one which was co-written was “skipping stones” which was lyrically put together by Jenny Dunne and I and was drawn up from an original idea I had done with Welsh singer/songwriter Fflur Dafydd back in 2005. Niall Connolly features as a guest vocal on “Carry On” and is actually the only guest on the album. Nialls contribution to the original live music scene in New York is the backbone of a lot of these Big City Folk albums.

 Check out Anthony’s single “Lovers of the night”, performed here live on his recent tour of Ireland.

you can buy the single (and the album, when released) from:

http://www.mulmusic.com/music.cfm

http://www.cdbaby.com/cd/AnthonyMulcahy

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Natalie Mishell in performance at LIC Bar

Natalie Mishell in performance at LIC Bar

Last of the new albums for this edition is the latest from Natalie Mishell; another regular singer at LIC Bar, performer across New York and wider still. Her new album “Goodnight Stranger” will be launched at Rockwood on Thursday May 24th. This is her first full length album, following her earlier EP “In My Shoes”. I’ve heard three tracks from the album and am impressed by the range of style and authenticity of Natalie’s writing and performance. Goodnight Stranger is the result of a colaboration between Natalie and producer J.P.Bowerstock (ex. Ryan Adams),  with songs that originated from what she calls a “grey period” in her life, though they are not all miserable songs – just reflections on life and change.

As Natalie Mishell & Co. she’s joined on the album by long-time drummer Neil Nunziato, newcomer (and “Walking for Pennies” member) Neeley Bridges, guitarist Neil Cavanagh, Billy Grant on keyboard  and bass player Tony Oppenheimer. The basics of the album were recorded in a 10 hour stretch, with vocals added later, except for one track, “My Peace” which survived untouched from the original studio session.

Check out “Blue Moon” from the album:

https://soundcloud.com/natalie-mishell/02-blue-moon#play

Natalie Mishell

Natalie Mishell

Also check out my full length biographical interview with Natalie in the “Artist Portrait” series which includes two tracks from the album, including “My Peace”:

https://itunes.apple.com/us/podcast/artist-portrait-natalie-mishell/id523786622?i=153661157&mt=2

or:
Listen to this episode

goodnight strangerNatalie Mishell and Co. play at Rockwood Music Hall 2, Allen Street, just off E. Houston, at 7pm on Thursday May 23rd. Opening performer will be the very talented Julie Kathryn, in a solo set.

Julie Kathryn at Spike Hill in a Rockethub Showcase

Julie Kathryn at Spike Hill in a Rockethub Showcase

March Music Treats at LIC Bar

March treats at LIC Bar:

LIC Bar, on Vernon and 46th Avenue, is the foremost LIC music venue; a place of character, good cheer and great musical talent. You can hear live music 5 nights out of 7, and DJ music on friday nights from 10pm – 2am.Whether you like country, jazz, rock or sounds indescribable, you are sure to find entertainment that will bring you back week after week, day after day….even if you travel over from Manhattan!!!

Apart from the excellent range of music, LIC Bar is also establishing a credible record for performances featuring actors, the spoken word and classical music, for both  adults and children (by the fireside in the carriage house, across from the bar).

March offers a mix of all these attractions so “Why go to Manhattan?” when so much is in LIC! I’m off to the southern hemisphere for a while so will miss most of March in NYC  so here’s the highlights of what will be a great month as Spring leaps into gear.

Residency

Wednesday night is residents’ night. March 2013 is Jefferson Thomas month. JT is a supremely talented rocker who can turn his talents from straight country, through folk/rock to gutsy/rocky/blues that will shake your pants off. His sets will be at 10:00pm every Wednesday thru March. Be prepared to stay late, JT sucks up the energy of the crowd and performs until his seeds have run dry. Check out http://www.jeffersonthomas.com

Jefferson Thomas

Jefferson Thomas

Mondays is often a jazz night (although not always) and free food is served at 9:00pm. I’m pleased to see that some one of my favorites, Tammy Scheffer, is also resident in March. She has a versatile, accurate voice that rides high around the skills of her band; jazz with with real vocal flair with intricate arrangements that span traditional Hebrew melodies and classic jazz standards. (www.tammyscheffer.com)

Tammy Scheffer

Tammy Scheffer

Jazz

Monday jazz also sees Sam Trapchak, (www.samtrapchak.com)an LIC-based bass-playing jazz composer on the rise to stardom (March 11, 8:00), another LIC resident, sax-man Anthony Cekay, whose late night improv sessions are becoming quite the cool place to be in LIC (March 8, 9:00). Another jazz favorite, Emily Wolf, plays on March 25th (8:00). She is a classy jazz singer and writer who pulls together a fine group of musicians. (www.emilywolfmusic.com);

LIC residents Sam Trapchak and Anthony Cekay

LIC residents Sam Trapchak and Anthony Cekay

Emily Wolf

Emily Wolf

Newcomers

I should say here that I am only mentioning people I have heard before. The joy of LIC Bar is hearing people who are new to me, like Zoe Sundra, who I heard on March 3rd and so many others who delight with their talent.

Zoe Sundra at LIC Bar March 3rd

Zoe Sundra at LIC Bar March 3rd

The Talent Spotters

Musical organizing is mostly curated by Gus Rodriguez, with the Sunday events hosted and organized by Niall Connolly of Big City Folk. Both are musicians in their own right with a great eye for local and international talent. Niall is an intelligent, astute and sometimes acerbic songwriter who is one of those singers who can make my spine tingle. He has a new single, Samurai, that is making great waves on both sides of the Atlantic and which will feature on an album, “Sound” to be released in April (CD release party is at Rockwood Music Hall 2 on April 13th), catch this before it catches  you by surprise and you  wish you had heard it before your friends. Tickets from http://rockwoodmusichall.tickets.musictoday.com/RockwoodMusicHall/moreInfo.aspx?event=154241&outlet=2315.

http://niallconnolly.bandcamp.com/track/samurai-3

Gus Rodriguez and Niall Connolly

Gus Rodriguez and Niall Connolly

Punk hero

March 13th sees a 9pm solo acoustic show by Andy Shernoff of the legendary punk band The Dictators. This is typical of LIC Bar; just when you think it’s safe not to go, a star will choose to play and blow all your laziness out of the window and drive you back to this fundament of music making, just up from the 7, across from the G and down from the E. (sounds bit like guitar chords!) check out: http://en.wikipedia.org/wiki/The_Dictators

Late night Bones

If you haven’t caught Brandon Wilde and Len Monachello you have to get down on Friday March 15th 10pm-midnight to hear cover duo “Magic Bones” in a set that will entertain, enthrall and amaze.

Saint Patrick’s Day

There may be a new Pope, or maybe not, but the weekend on March 16/17 will be as green as you can get here in NYC. Saturday night, March 16th features another great LIC celebration of the music of Van Morrison. These tributes are a strong tradition for the musical family that surrounds the venue. Singers of the caliber of soul icons Shelly Bhushan and Arthur Lewis mix up with Xavier Cardriche, Little Embers, Julie Kathryn, Silbin Sandovar and Chrissi Poland to create their own interpretations of one of the great Irish musicians of the rock era, supported by a class house band that will feature talents like Neil Nunziato on drums and mystery guitarists and keyboarders, as well as wind artists yet to be confirmed as members of the church of Van the Man.

A crowded LIC Bar from last year's Van Morrison Tribute

A crowded LIC Bar from last year’s Van Morrison Tribute

That night you can be sure of a good feed with a free gourmet style corned beef brisket for our customers that is out of this world, courtesy of Parnell’s Restuarant, (www.parnellsnyc

Later that night, in the traditional LIC Bar midnight slot (well, from 11 ‘til 1:00) you can hear Brooks Wood and Cameron Mitchell. An upbeat acoustic duo, real crowd-pleasers.

March 17th features another in Ali Silva’s popular “Fireside Ghost Stories” evenings in the Carriage house, across the courtyard from the main bar. Not to be upstaged by Van Ali is presenting an evening that will be imbued with Celtic magic and dark green fear, with live musical improvised mystery from talanted duo Charlie Rauh and Concetta Abbate.

Fireside Ghost Stories in the Carriage House

Fireside Ghost Stories in the Carriage House

The session starts at 8:00 so be sure to arrive early to get a seat. That means you have to get in straight after The Locksmiths, a fun local Queens band led by bassist Pete O’Neil that will play a mix of Irish rock and traditional songs as well as a nice serving of their own original tunes from 5 until 7pm.

Peter and the Wolf

March sees the welcome return of Peter and The Wolf in the Carriage House on March 23rd at 2pm and 4pm. This has proved to be a popular event; a performance for families with children, featuring puppets, Ali Silva and The Washington Square Winds. The last show was so packed they were turning families away. This time they are performing two shows back to back so more folks can see it.

Guitar Porn

Sunday March 24th from 5 ‘til 8 sees the first of what might become a house standard. Silbin Sandovar presents: Guitar Porn! A big neighborhood jam featuring some favorite local guitarists including Anthony Rizzo, Danny MacKane, Anthony Lanni, Dennis Del Gaudio, Andy Stack, Mark Marshall, Jefferson Thomas and more! This will be a great afternoon of amazing and blazing guitars!

This is the time when opening up the courtyard to music becomes a real possibility, so if it’s a warm sunny day bring along your shades and sip the cocktails of pickers and thrashers.

Little Embers

March 27th, popular local singer/songwiter Little Embers returns with guitarist husband Anthony Rizzo (and maybe some special guests) for a late night mix of country and rock at 9pm.

Check this:  http://www.youtube.com/watch?v=wgCv8XgQ1O4

LIC  Bar is open 7 days a week 4  until 4am, with earlier opening at the weekend for daytime shows.

Check out the full calendar at:

http://www.licbar.com/eventcalendar/evcal.html

A Spirit of Musical Community

There are a many singer songwriters in LIC, folk who perform solo or with a band. It’s not unusual to find them doing a solo gig at one place and then being joined by others later in the night at a bar or club in the next district. There are some, though, who have regular collaborations with other singer songwriters and where you see a great chemistry develop between the artists. One of these collaborations is that between Michele Riganese (www.micheleriganese.com), Shelly Bhushan (www.shellybhushan.com), Jeneen Terrana (http://www.jeneenterrana.com/) and Little Embers (http://www.myspace.com/littleembers). These four women are talented artists who all live in the Queens area and who play regularly at venues like the LIC Bar, Spike Hill in Brooklyn and Rockwood Music Hall in Manhattan. They each have their own bands, but you’ll frequently see one or other of them supporting each other on vocals.

The Queens of Queens at the Living Room Dec 2011

This group have played together as the “Queens of Queens” for gigs at the Living Room in Manhattan (http://www.youtube.com/watch?v=iWxi-r7oRKI) and Spike Hill in Brooklyn. For these appearances they built on their experience of supporting each other to perform “in the round” and perform each others’ songs, providing mainly vocal support to the writer of the song.

Jeneen Terrana and Michele Riganese

Jeneen Terrana

Little Embers

Shelly Bhushan

…………………………The Queens of Queens are coming together for the third time to present a series of five “residency” shows at the LIC Bar during May, every Wednesday at 10pm. I have had the pleasure of interviewing these women; to produce both a series of “Artists Portraits”to be available in a few weeks time, and in the production of a brief promotional item. This is a group of four individuals whose characters differ in ways that prompt lively creative cooperation. Watch out for future blogs featuring audio interviews, and perhaps even podcasts!

Good luck to Michele Riganese on her trip to the West Coast, where amongst other gigs she is playing at the Viper Room in Los Angeles on April 1oth.

Little Embers are appearing at Arlene’s Grocery on Friday April 13th and Jeneen Terrana is currently recording.

Congratulations to Shelly Bhushan in doing so well to get into the final group of 5 in the competition to represent Queens in the “Battle of the Boroughs”. You can still catch her performance in on http://vimeo.com/37955065.

Shelly and her band will be appearing at LIC Bar on Wednesday 11th April, don’t be surprised if there are other singersongwriters in support.

Another great combination of singer songwriters is Warren Malone and Niall Connolly. Both hail from the other side of the Atlantic; Warren from the North of England and Niall from Ireland. You can catch more of the Irish in Niall than the Lancashire in Warren, who has more of a North American feel to his songs. Both Warren and Niall have distinctive voices and clear guitar picking styles that lend themselves to collaboration. I caught them both, in duet, at the LIC Bar’s first venture into the open air the Sunday before last. Two out three of the acts were able to perform outdoors before the drop in temperature caused the declining audience to clutch their beer glasses for warmth and we went indoors for the final act of the day. I’ll write more about Warren on another occasion, and review his album (“The Ants ate the Bee“). Suffice it to say that he has great talent and an attention to detail in his guitar playing which makes for beautiful music.

Niall Connolly and Warren Malone in the open at the LIC Bar

Niall and Warren are part of the musician collective “Big City Folk“, who run sessions at LIC Bar on Sunday evenings in the winter months and at Ceol (http://www.ceolpub.com/) in Brooklyn – as well as appearing at various other venues around New York, including, famously, Niall playing a very early Wednesday morning spot at the Red Lion on Bleecker Street (http://www.redlionnyc.com/) at which the artist formerly (and now formally) known as Prince is rumoured to have been seen. Niall sings a range of finely crafted songs with intelligent lyrics that demand attention – whether for their sharp political comment, philosophical musings or their stories of relationships, won and lost. His voice is instantly recognisable, a real advantage in this world of copycat, almost karaoke performers, and his stage manner direct; self assured yet unassertive. He lets his songs speak for themselves.

Recently members of the Big City Folk collective released an album of  Niall’s songs as a birthday tribute; such is the respect he has earned on the local music scene. The album aNiallated” features artists like Warren, Casey Black, E.W.Harris and Don Paris Schlotman (Sky Captains of Industry), and Magic Bones (who are Brandon Wilde and Len Monachello). Bones”. Check it out (and buy) on http://niallconnolly.bandcamp.com/album/aniallated-a-big-city-folk-tribute-to-niall-connolly.

This is a good introduction to Niall’s music as well as being a tribute to the collective musicianship that surrounds him. It shows that his songs stand tall in others’ interpretations. This is not a collection of bland re-interpretations, each musician embeds their own talent and style on the song they have chosen to present to Niall on this album.

Brandon Wilde

Brandon Wilde (http://www.brandonwildemusic.com/) and Len Monachello are freelancers on the local music scene. Brandon plays Bass in Niall’s band, has a recording studio and plays frequent late Saturday night gigs at the LIC Bar (www.licbar.com)with Len as the Magic Bones, a “cover band” that is a duo with an in depth knowledge of the  songs they perform to the late night crowd. You’ll catch Len as a drummer in Niall’s band, or as a guitarist – in Magic Bones he alternates guitar and bass with Brandon. On “aNiallated” they offer a classic cover of Niall’s song “Skin and Bones“, a anthem that has developed into a crowdpleaser and crowd involver in bars everywhere that he plays. Being superb musicians enables Brandon and Len to present a cover that is a true to the original, not just in its notes and lyrics but also in its public bar appeal to simple philosophising that “We are just skin and bones and blood, without love, without love”.

Don Paris Schlotman, E.W.Harris and Casey Black as a trio comprise most of the band “The Sky Captains of Industry” (http://www.reverbnation.com/theskycaptainsofindustry); regulars on the Big City Folk scene. They’re a skilled band who sing sometimes cutting, sometimes offbeat, and occasionally highly comedic songs. On this album they each get a chance to give individual tribute to Niall.

At the end of Sky Captains gigs Don offers a brilliant spoof of early rock songs that is reminiscent of 60s group “The Bonzo Dog Doo Dah Band” , known best for their “Death Cab for Cutie” on the Beatles’ Magical Mystery Tour movie,  but see: http://www.youtube.com/watch?v=3hcZ4s9cvpw . Usually Don is the bass player, but in this final act of craziness Don hands his bass to Casey, usually the drummer and takes the stage in virtual drainpipes and a relationship with the microphone that is acrobatic, yet verges on pornographic. On “aNiallated” he offers “Summer Dress“a song which is easy to think of as a sideways look at adolescent male fantasies, especially hearing Don singing it, with memories of his teen idol antics still fresh in my mind. This is Don in a Lou Reed meets Johnny Cash mode, with the banjo and reverberating whistling adding to a sense of understated, yet mysteriously present, anarchism. It’s a kind of mix of Reed’s “Walk on the Wild Side” and “Perfect Day”, with a bluegrass ketchup. But, it might be completely straight and I’ve just coloured it with my own trickster mixer.

Casey Black

Casey Black (make sure you get http://www.reverbnation.com/caseyblack) is well established locally as a powerful singer and songwriter. I have written about him previously and you will know how much I respect his professionalism. On this album he offers his interpretation of  ‘You’ve got to look in to look out for yourself’, a highly personal  song from Niall’s book of most-well-crafted songs. This is taken down to its heart by Casey, his strong deep voice giving the lyrics an intensity that squeezes every bit of meaning from the lyrics.

E.W.Harris

E.W.Harris is the third member of “Sky Captains”. In many ways he comes across as the leader on their gigs, although I hesitate to talk about bands having a leader in this collective context. He is the singer most of the time and plays  a beautiful retro guitar. If not leader he is certainly the man up front. On this album his version of “99 cent dream” is inbued with his liking for scifi effects, ironic statement and the generally offbeat (check out his album “a waste of water and time”  http://www.amazon.com/Waste-Water-Time/dp/B003XE6OTG). This song suits him, in its ironic turns and goes well with the sound effects produced by Harris for this tribute to Niall.

Warren Malone’s contribution to this album is “Inland to Mercy”, a travelling-to-love song  that is actually typically of Warren’s own style and thus suits him well. The line “Oh little bird without a footprint, a measure of the strength of your tiny wings” exemplifies the poetry in Niall’s lyrics.

Other artists on his tribute are Diana Jones, Chris Mills, Chris Michael, Colin Campbell, Justin Storer, Ryan Morgan and David Rynhart. All contribute well in their own ways, only one, Justin Storer, managing to sound a lot like Niall himself when he sings “America”. This is what used to be called a “protest song” :

“In the name of all the chapters, Torn from your history books. America, I love you,won’t you tell me the truth.”

Niall Connolly contemplates driving the Snakes out of America